Seamless Recordings continues its fine start to 2015 with yet another big EP, this time coming from Tom Bulwer who presents the 2Deep House Show on Ministry Of Sound Radio.
Originally hailing from Holland the now London, UK based producer has been presenting his 2Deep House Show in Ministry of Sound Radio since 2009, and has been releasing tracks and remixes in labels such as !K7 Records, MN2S, and Seasons Limited, whilst he has also received plays from Modeselektor on his BBC1 Essential Mix and also on Rinse FM by SBTRKT.
Toms' remix alongside Anna Wall of Rhythm Takes Control by Alpha Omega was premiered on Mixmags soundcloud and received over 11k plays and attracted support from Citizen, Maya Jane Coles and Huxley. Other prominent supporters of his music have come from the likes of Tensnake describing his remix of letthemusicplay "In The Beginning" which features the legendary Marshall Jefferson, as "Tom Bulwer remix is ace, thanks", whilst Dubfire, described his remix of I Said No - Come Close feat Mizbee as "Tom Bulwer remix is dope, Thanks".
So then on to the business end, his Gossip Girl EP. This powerful four tracker, features four tracks Gossip Girl, Sex Panther, Kiss The Curb and Before Midnight.
The First track is Gossip Girl. This instantly gets in to a hypnotic tech house groove, with a simple but effective percussion working in perfect tandem with the bass line. Combined with well worked cut up and sampled vocals, this track will subliminally groove around in your head all day long.
Next up is Sex Panther, this is a beat driven house track which uses well worked low frequency sounds for a subtle yet well definable bass line. With delicate deep atmospheres throughout the track adding a opiate feel, this is definitely one for the underground and forward thinking crowd.
Thirdly, we have Kiss The Curb, this moves back to a more traditional for the floor inspiration, with a deep and techy groove on the beats, the main power of this track stems from its impellent phat bassline which gives this track its definition.
Last but not least we have Before Midnight. This is maybe the deepest of all the tracks on the EP which originates from the pensive atmospherics at the start of the track that induces the listener in to the groove before it falls delicately into a propulsive bass line which urges the track along with dynamic sweeps intermittently keeping the track flowing in its looping construction without it becoming tiresome.
Originally hailing from Holland the now London, UK based producer has been presenting his 2Deep House Show in Ministry of Sound Radio since 2009, and has been releasing tracks and remixes in labels such as !K7 Records, MN2S, and Seasons Limited, whilst he has also received plays from Modeselektor on his BBC1 Essential Mix and also on Rinse FM by SBTRKT.
Toms' remix alongside Anna Wall of Rhythm Takes Control by Alpha Omega was premiered on Mixmags soundcloud and received over 11k plays and attracted support from Citizen, Maya Jane Coles and Huxley. Other prominent supporters of his music have come from the likes of Tensnake describing his remix of letthemusicplay "In The Beginning" which features the legendary Marshall Jefferson, as "Tom Bulwer remix is ace, thanks", whilst Dubfire, described his remix of I Said No - Come Close feat Mizbee as "Tom Bulwer remix is dope, Thanks".
So then on to the business end, his Gossip Girl EP. This powerful four tracker, features four tracks Gossip Girl, Sex Panther, Kiss The Curb and Before Midnight.
The First track is Gossip Girl. This instantly gets in to a hypnotic tech house groove, with a simple but effective percussion working in perfect tandem with the bass line. Combined with well worked cut up and sampled vocals, this track will subliminally groove around in your head all day long.
Next up is Sex Panther, this is a beat driven house track which uses well worked low frequency sounds for a subtle yet well definable bass line. With delicate deep atmospheres throughout the track adding a opiate feel, this is definitely one for the underground and forward thinking crowd.
Thirdly, we have Kiss The Curb, this moves back to a more traditional for the floor inspiration, with a deep and techy groove on the beats, the main power of this track stems from its impellent phat bassline which gives this track its definition.
Last but not least we have Before Midnight. This is maybe the deepest of all the tracks on the EP which originates from the pensive atmospherics at the start of the track that induces the listener in to the groove before it falls delicately into a propulsive bass line which urges the track along with dynamic sweeps intermittently keeping the track flowing in its looping construction without it becoming tiresome.
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