Twirl founders Shaun J. Wright & Alinka offer up ‘Love Songs' backed with remixes from two of NYC’s finest, The Carry Nation, and Harry Cross of the Chicago party aficionados Men’s Room. Shaun J Wright & Alinka launched their Twirl imprint in October of 2014 following a string of events under the same name in their hometown of Chicago. Since its launch Twirl and its founders have picked up support from an array of hard-hitting names such as BBC Radio 1’s Heidi and Annie Mac, Art Department’s Kenny Glasgow, Groove Armada, and Luke Solomon to name but a few.
Opening things up is the original mix of 'Love Songs’ which sees the duo fuse rolling percussion with echoing synth stabs and a dirty bass hook, while Wright’s spoken vocal lines add the infectious feel to the composition these two have become known for.
First up on remix duties are Tribal Records all-stars The Carry Nation who reshape the original with their classic New York house twist. The Carry Nation retains a similar aesthetic to the original with Wright’s vocal lines remaining prominent throughout, but adds a more gritty feel with the percussive elements and synth lines.
Men’s Room’s Harry Cross rounds off the package with a more dub-tinged feel, bringing a raw stab sequence and crunchy distorted drums into the limelight alongside resonant bass hits and sporadic vocal chops, completing the package brilliantly.
Opening things up is the original mix of 'Love Songs’ which sees the duo fuse rolling percussion with echoing synth stabs and a dirty bass hook, while Wright’s spoken vocal lines add the infectious feel to the composition these two have become known for.
First up on remix duties are Tribal Records all-stars The Carry Nation who reshape the original with their classic New York house twist. The Carry Nation retains a similar aesthetic to the original with Wright’s vocal lines remaining prominent throughout, but adds a more gritty feel with the percussive elements and synth lines.
Men’s Room’s Harry Cross rounds off the package with a more dub-tinged feel, bringing a raw stab sequence and crunchy distorted drums into the limelight alongside resonant bass hits and sporadic vocal chops, completing the package brilliantly.
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