Sharawaji is the beauty that occurs with no discernible order or arrangement.
'When atoms are travelling straight down through empty space by their own weight, at quite indeterminate times and places, they swerve ever so little from their course, just so much that you could call it a change of direction. If it were not for this swerve, everything would fall downwards through the abyss of space. No collision would have taken place and no impact of atom on atom would have been created. Thus nature would never have created anything.'
Lucretius

Satoshi Takeishi and Hans Tammen are creating an unheard world of bizarre textures and polyrhythmic machinations. Dark, sometimes brooding ensemble passages mix and mingle with extended solo cadenzas, creating layers of intensity, at times unsettling, frantic and anti-sentimental. Fiery and energetic passages mixed and mingled with extended solo cadenzas are in turn electronically captured, fragmenting and otherwise transforming their percussion and guitar sounds, processed into radically contrastive and fascinating noises emanating from Hans Tammen’s interactive software.