Another Dungeon Module Production!!!
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This album was recorded in Timothy’s current studio, with his Casio RZ-1 central to the set up. 8 raw jack tracks inspired by the early days of house music, and catches Timothy at his most minimal. The early days of the Chicago and Detroit and how they drew influence from Europe in their stripped back sound is an endless influence on Timothy’s work. The bumpy opener ‘Rule The Streets’ has a vocal refrain which sounds like something from a 70’s gang movie. ‘Insufficient Funds’ is a playful jam based around a junk shop delay unit. ‘Pleasure Beach’ a house/funk beat track with an 8 bit sound. ‘Back To The Stone Age’ with its flanger heavy percussion and a booming Adonis style vocal. Side B starts with ‘Instant Replay’ with its rolling 808 toms and white noise intro. ‘Safety Patrol’ has a deeper Mr Fingers feel, followed by the stalker-ish ‘Gang Bass’ with its sampled live bass and strings. Last of all is ‘Livin’ It Up’ made entirely with the sampler on the RZ-1 sounding like a Lil Louie demo.
Mastered by Alden Tyrell Artwork by Timothy J. Fairplay and Computerdisco.
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This album was recorded in Timothy’s current studio, with his Casio RZ-1 central to the set up. 8 raw jack tracks inspired by the early days of house music, and catches Timothy at his most minimal. The early days of the Chicago and Detroit and how they drew influence from Europe in their stripped back sound is an endless influence on Timothy’s work. The bumpy opener ‘Rule The Streets’ has a vocal refrain which sounds like something from a 70’s gang movie. ‘Insufficient Funds’ is a playful jam based around a junk shop delay unit. ‘Pleasure Beach’ a house/funk beat track with an 8 bit sound. ‘Back To The Stone Age’ with its flanger heavy percussion and a booming Adonis style vocal. Side B starts with ‘Instant Replay’ with its rolling 808 toms and white noise intro. ‘Safety Patrol’ has a deeper Mr Fingers feel, followed by the stalker-ish ‘Gang Bass’ with its sampled live bass and strings. Last of all is ‘Livin’ It Up’ made entirely with the sampler on the RZ-1 sounding like a Lil Louie demo.
Mastered by Alden Tyrell Artwork by Timothy J. Fairplay and Computerdisco.
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